Flor de cuatro pétalos is designed after ‘60’s fiber artist Leonore Tawney’s cross weavings also titled "Four Petal Flower". The installation is made as a double-cloth or double-woven textile with alternating moiré overshot and balanced cross patterns in red and yellow. The cross serves as an ongoing motif in Eraso’s work relating to the dualities of life - the “both-and”. To the Red Cross paraphernalia ornamenting his late abuelito’s home, to questions of care, healing and faith, of remembering and forgetting, of origins and anoriginality and of the im/possibilities of return, of deep longings for a past, for a place, for an explanation, for an end.